Back then, Einstein was still a clerk, none of the world wars happened, Wright brothers didn’t yet fly, cars were just shaping up... it’s amazing to think how far we have come in just 100 years. Compare this with how much development we made in any 100 years before that, It’s fascinating and frightening at the same time.
4.5;Long live the expressionist theatre遗憾在于从画室外悚然包围的视线开始长达近二十分钟的梦魇段落映画才真正跳出了文字的桎梏此外全片都被铺张且隐喻浓厚的布景和打光所统摄以此表现荒诞社政系统当然是有效的但在对主人公内心踉跄挣扎的反射上将原著的意识流情节精心凿实/抹平后转而启用功能化的镜语设置来揭露也注定了本作(相对)庸俗化的改编命运不过从另一创作纬度上看确乃艺术神迹
Grave, molto moderato. 微风是大地的呼吸,这气息流过身体,它就如一架风琴鸣响.镜头不去打扰环境音-人声同出一源的应和,它永远固定,因为运动只属于从自然而来的存在者:接近2D动画多平面摄影的风格下,天光草木显现为自行隐匿的摇曳背景而与前景彻底分离,仅仅在面孔上投下那晦明变化不可把捉的一瞬.受神宠爱-被神抛弃-复归于神的恩培多克勒与敬仰他-诅咒他-挽留他的众人,进行着两组相颉颃的wiederkehren――终有一死者并非离开得太早,但和解确乎来得太迟.身为das Unheimlichste的恩培多克勒必须先交出自己,才能进入喜爱隐藏的无蔽;黑暗的大地把他吞没,复又将吐露新绿.远处有雷暴正在集聚.